Music research


Also see articles on webcasting on the fan research page.

Duffett, M. (2013) ‘Ghetto Voyeurism? Cross-racial Listening and the Attribution of Sociocultural Distance in Popular Music,’ Volume! 10, 1, pp. 93-107.

Duffett, M. and J. Hackett. (2013) ‘Mediating The Agony and the Ecstacy of Phil Spector: Documenting Monstrosity?’ in R. Edgar, K. Fairclough-Isaacs and B. Halligan, eds. The Music Documentary: Acid Rock to Electropop. New York: Routledge, pp. 206-218.

Duffett, M. (2011) ‘Fear Nothing: Self-Fashioning and Social Mobility in 50 Cent’s The 50th Law,’ Popular Music and Society 34, 5, pp. 683-692.

Duffett, M. (2010) ‘Average White Band: Kraftwerk and the Politics of Race,’ in Pattie, D. and Albiez, S. eds. Kraftwerk: Music Non-Stop. New York: Continuum, pp. 194-213.

Duffett, M. (2010) ‘Sworn In: Today, Bill Grundy and the Sex Pistols,’ in Inglis, I. ed. Popular Music and British Television. Farnham: Ashgate, pp. 85-104.

Duffett, M. (2004) ‘A “Strange Blooding in the Ways of Popular Culture”? Party at the Palace as Hegemonic Project,’ Popular Music and Society 27, 4, pp. 489-506.

Duffett, M. (2000) ‘Going Down like a Song: National Identity, Global Commerce and the Great Canadian Party,’ Popular Music 19, 1, pp. 1-11.



Duffett, M. (2016) ‘Martin Idon and Melanie Marshall, eds, Lady Gaga and Popular Music: Performing Gender, Fashion and Culture,’ Popular Music 35, 3: 448-451.

Duffett, M. (2011) ‘Jon Stratton, Jews, Race and Popular Music,’ Popular Music 30, 1, pp. 162-163.

Duffett, M. (2007) ‘Imani Perry, Prophets in the Hood,’ IASPM International Newsletter. Available online:

Duffett, M. (2006) ‘Sheila Whiteley, Too Much Too Young,’ IASPM-UK Newsletter, September.

Duffett, M. (2005) ‘Vancouver,’ entry in Shepherd, J. ed, Encyclopedia of Popular Music of the World. London: Press Continuum.

Duffett, M. (2004) ‘IASPM-UK 2004 conference, Limerick,’ for IASPM newsletter, September.